Round-Up of the N00z...

First off, Indonesia has banned porn. Read about it on the BBC website. I particularly love this tidbit:

"This law will ensure that Islam is preserved and guaranteed," said Hakim Sori Muda Borhan, a member of parliament from President Susilo Bambang Yudhoyono's Democratic Party.

"It is also not in the interest of any specific religion. The law is also meant to preserve arts and culture and not destroy them."

Er... huh?! DIRECT discrepancy, I'd say, mate.


Meanwhile, the Catholic Church continues to try to project an image of 'modernity' without making any fundamentally important changes. See what SNAP had to say for my thoughts... I DO like the picture of Benedict though, he looks a lot like Red Robot from Diesel Sweeties... (see the third panel of the comic strip for an idea of what I'm talking about...).

For anybody feeling low about their writing talent, for the love of God, read this pile of steaming horseshit 'written' by Peaches Geldof, the monumentally annoying wastrel who dabbles in many occupations without being even remotely good at any of them and has thankfully fucked off to America. I don't like to indulge in pointless sleb-hating for the sake of it, but PG really really irritates me because she exemplifies for me the trend of people who are famous for fame's sake (and because their parents are/were famous). People often lump her with the likes of Lily Allen and Daisy Lowe (or whoever she's currently been seen partying with...) but I do think Lily Allen is smart, talented and witty in her own way (see her response to Marina Hyde's attack on her here!) and Daisy Lowe is actually a model. She doesn't 'pretend' to be one when the mood takes her (or when her friends decide to get her off her idle ass...). This is, to paraphrase Peaches, a 'patchwork quilt' of clangingly obvious cliches, blithe and breathless arrogance, celebration of sartorial cheapskatery (she paid a dollar for someone's family heirloom?!) and painfully obvious attempts to be Michael Palin. My bezzi called my attention to it, and I found myself ACTUALLY HOWLING in a sort of wounded shriek/laugh/weep/growl. So banal it's offensive.

The 'dark side' of joining the EU, for Romania? Really quite depressing reading, and not least because the article shows that a) we're not all as 'globalised' as one might think and b) it suggests that dictatorships (i.e. China and Romania under Ceausescu) are the only way to make construction happen fast these days... I could be ODing on the doom-and-gloom there, though.

The sort of story that tends to give France a bad name. Wine! Football-team comparisons! Bitter feuding! Utter pettiness.

Last but most definitely not least, the Daily Mash's absolutely excellent take on the bloody Brand/Ross BBC fiasco, which anyone with half a brain cell doesn't really give a crap about. They express my own feelings on the matter better than I ever could (and this just durn well tickles me pink too, as a perhaps-inadvertent satire of the type of people who tend to watch things like Strictly Come Dancing religiously. Absolutely brilliant). That most excellent man of mine turned me on to le Mash, and I thank him for't.

ONE MORE LINK! A necessary piece of tasty, sexy disco to see you through till Monday morning. This song has so effectively seduced me that I can't listen to the rest of the (not bad at all) album.

Well, this blogger is heading off for a good seeing-to this weekend... Eeeee! Catch y'all later and have a great evening/weekend/week ahead/whatever!

How To...

Make an article of yours run and run without ever stopping? Take notes from el presidente of Pickled Politics, the one and only Sunny Hundal - put 'anti-Muslim' in the title, and I swear it's like a Pavlovian dog to the 'intelligentsia' that frequent the site. I use quotation marks because there are (inevitably) some nuts, and I am on it too... :-P

So yeah, for all you 'lovers, haters and anticipators' (own coinage! :-P), this is the 'How-To' post. It's not your usual 'How To,' so don't expect to see me dancing about with a monkey wrench (yes, I linked to it just in case you, like me, had utterly no idea what the hell it is. Terrifying looking thing, and to top it all off, it comes from a site called 'Manic Collector'. Brilliant). Nor will I be dancing about with any monkeys, though I may well dance at an unspecified future point of this evening.

Other things I will not be telling you how to do:
- Bake a stained-glass window biscuit (though I would LOVE to do that)
- How to fix your temperamental heating (set the neighbourhood poltergeist on it?)
- Be graceful and ladylike when farting (absolutely, scientifically bloody impossible. If you do not even let a giggle slip, you are qu. clearly an android. Pity my poor man :-P).

Now that I am done with eating my apple-that-tasted-like-mushrooms and a curiously pleasantly artificial-tasting bag of mini 'Snack-a-Jacks', I will proceed to the main 'How To' of this post.


How to... reconcile Julie Bindel and Laurie Penny?

Most of y'all (except for Rumbold) will probably be wondering 'what de haile' I am talking about (sorry, I couldn't resist... The DOs & DON'Ts crack me up).

I am referring to this:

http://www.liberalconspiracy.org/2008/10/25/pantomime-dames

That's right. So important is this link that I refer to that I have actually abstained from insinuating it snugly within my text, and displayed it brazen and bold. I will understand if some of the comments bore you, but verily there are quite a few of those fascinatingly bitchy Internet-car-crash moments that make you wonder why the hell everyone is taking all dis shit so SERIUSS, man, iss juss da Internet, innit?

(Sorry, I've obviously been too long without going home / being woken up by 'rudebwoi' freshers and evidently I'm hankering. OMG, maybe I miss my brother!).

What is of interest (to me, anyway) here is how the author, the lovely Laurie, presents a distance between herself and Julie Bindel (it must be said that the version of the article posted on Laurie's own blog is much more complete and better articulates her viewpoint). Cath Elliott took her to task over her attacks on JB in the article, but as somebody who views themselves as a 'feminist', I'm going to be uber-patronising and try to join the dots between the two... hence the 'reconciliation.'

Firstly, in partially echoing CE, I would say: if you, Laurie, judge JB on comments she made over a year ago and has since apparently expressed regret for, are you not as bad as her (and her ilk), who attack transfolk because they see only biologically-determined sex and refuse the mutability of gender?

Secondly, assuming that JB should be accepting of transfolk is highly naive. Many gays and lesbians have fought to define themselves beyond the frequent and narrow societal dismissals of 'effeminate' or 'butch'. Hence the term 'queer' being 'reclaimed' from its 'hetero' context and being applied to (for just one example) 'Queer Studies', which seeks to revisit history from a LGBT perspective, providing a more nuanced view of history in the process I would say. Acceptance has much more to do with personal politics (i.e. your outlook on life, whether liberal, conservative or whatever) and security in oneself - both of which are entirely subjective. I think there may be a little 'liberal assumption' occurring on Laurie's part here. 'Gay' does not mean 'open-minded' or 'liberal', even though it often seems like it should.

JB, as a renowned militant-feminist-lesbian, has obviously defined herself (and thus carved out a career!) on very specific (some might say absolute) terms. Hence, the performative element that comes with transfolk - performance of a gender - is presumably problematic for her and her ilk. I suspect they see it as inauthenticity, as betrayal. Looking at her picture, I would point out some hypocrisy - is she, in refusing to wear obvious make-up and having short hair, not simply seeking to enact the same image rebellion? The only difference with her is that she happens to be 'shored up' by biological sex.

Laurie expresses near-identical sentiments to these with more eloquence towards the end of her own blog post (as I mentioned earlier). JB and co. need to remember that transfolk 'challenge' not just their own gender identity but that of heterosexuals too. I will refer here to Isis, the ANTM hopeful. Note the snarky comment about 'packing (Hint, Hint)a few more goods than the rest of this season’s competitors' and that too from a site that I initially thought was less bitchy than most!

Why this continual reduction of transfolk to an object of amusement or ridicule? Given what I learned in QS last year (:-D), it is because they are easier to handle that way. You can brush 'em off without thinking about it. Yet even within the most blatantly satirical depictions of femininity or masculinity by drag queens and kings, is a questioning of our gender norms. That's the point of all satire, after all, isn't it? If you react badly to it, then you're missing the point. You're stuck on the corner of the bigger picture.

Referring to what drag kings and queens do as 'satire,' by the way, is not meant to be in the least detrimental. Rather, I think, unwittingly or not, there's something ingenious about the whole thing. In a world which often feels like it's getting blacker-and-whiter by the day, transfolk and their reality are a much-needed burst of grey. I personally see them as mirrors - mirrors of the fact that life is not fixed and stable as we would like it to be, but fluid and perpetually in flux. Sex and gender are a part of life and are thus equally subject to change. 'Is nothing sacred any more?' Don't think so, and why should it bloody well be, anyway? :-D Surely that is a message that would unite Laurie and Julie!

The real Q here is: on what grounds did Stonewall choose Bindel for their Journalist of The Year award? And how was she selected? Perhaps there was a shortage of sufficiently trans-friendly journalists? I'd say that rather than attacking the nominee, it might be more fruitful to turn our attention upon those who nominated her...?


(Seriously) Recommended Reading:

http://www.thefword.org.uk/features/2008/10/incitement_to_r
http://www.thefword.org.uk/reviews/2008/09/uglies
http://www.thefword.org.uk/reviews/2008/09/the_perfect_vag

(Warning: the last one is really rather graphic).


This week, yours truly has been listening to Helicopter Girl - How To Steal The World (but only tracks 1-4 and 10!), Alphabeat - Boyfriend (oh, the cringeworthy joy of simultaneously: oddly Christmas-bell infectious music matched with utterly teenage self-indulgent lyrics, and Swedes with perfect diction innocently singing lyrics such as 'Oh yeah, we run away from private eyes / To privacy' (I think you meant 'prying eyes,' love?) and Santogold. Her whole album is good, but the pulsating religiosity of Anne has had me absolutely bewitched. There appears to be a tension between the lyrics ('My name is Anne, I got a plan / I may lack virtue / But I'm penitent' and the chorus 'J,j,jesus Pieces / Rescue me / The more I try / The more it gets too complicated') and the oddness of the backing music.

I really recommend watching the Alphabeat video (because it's really cool - it features the notion of the illustrator as God! C'mon, that's always fun!) and I recommend Anne because I'm so fucking in love with it. However, read the lyrics first! Along with Unstoppable, it's become my 'coping anthem' of late. Oooh, just realised that the HG album title also contains a 'How To' - IT'S FATE! *runs screaming and glassy-eyed into the woods*

Cheers, thanks and goodnight :-D.


A little 'hidden' How -To for anyone who is even remotely culinarily-inclined (own coinage again! o_^b ). It is both easy and fun, since I am not the most patient, even though I love food :

Catalan Bread

Bread (crusty is better, but you can use regular bog-standard white or wholemeal as long as you toast it crisp first)
A ripe tomato, halved (just-ripe isn't as good, though it does work)
A clove of garlic, cut in half
Some olive oil


Take one of your half-cloves of garlic and rub the exposed end thoroughly over the bread (it should end up smelling of garlic and may look a bit shiny in the light).

Take half your tomato and rub its innards all over your bread.

Drizzle over olive oil, and if you are anything like me, spread it with a knife to ensure even coverage (perfectionist freak!)

Enjoy.


In Barcelona, this is the standard preparation for sandwiches - you do this and then put whatever else, probably because Barça is the Catalan heartland of Spain. Fancy that!

'Higher Education'

Uh... I just wrote this.

He was a fish out of water. Or so it seemed. Walking slightly haggardly along, clutching his green M&S plastic bag – the single, firm burst of colour against his greying hair, his grey-brown fake-leather coat and his grey-black trousers. Even his eyebrows lingered between black and white. He lifted the bag slightly, as if he would shoulder it, the sudden burst of movement threatening his balance and making him undulate – ever so slightly – like Jessica Rabbit. This thought made him laugh out loud suddenly as he sloped along, heading to his room in a hall of residence.

Hall of residence! Nobody called them that now, he had to check himself constantly and remember that in fact, he lived ‘on campus.’ Perhaps the specificity of ‘hall of residence’ was passé and no longer needed; perhaps it was almost like a waste of time, a slight against the intelligence of others to spell it out for them: h-a-l-l o-f r-e-s-i-d-e-n-c-e.

After all, time was what always mattered most, wasn’t it? Going against time. Saving time. ‘Giving’ yourself more time to do more things by doing more things in less time. His head reeled, and he hunched briefly against a bench. All these students, swarming upon this site, living whole lives here in the tiny microcosm of the course-assigned buildings and the Student Village – what did they want from time? Arriving late to lessons dressed as if they would then head to London Fashion Week... the slew of panicking final-years, complaining how the world of work encroached upon them suddenly, of the few months in which to decide the trajectory of their future lives... Then there were the many that seemed to have come for apparently social reasons, for the ‘fresher experience’ and perhaps also to learn some independence...

Were they saving time? Was this channelled progression towards a ‘higher pay scale’, towards the ‘job market’? In spending three – or four, or perhaps even more than that – years of their lives, were they ‘buying back time’? He had worked ever since he was 16 and had saved steadily, only deciding to ‘complete his education’ now, at the age of 39. Even a lot of the lecturers looked younger than him, and at times when he hovered awkwardly outside the doors of seminar rooms, watching fellow students who were 22, but could easily pass for 15 in some cases, he felt singularly wrong. Out of place. This isn’t the joint for you, Grandpa.

Yet he had made enough money to take this break. He was able to be here simply for the reason that he wanted to be and that he could afford to finance himself. What, then, of the others on his Comparative Literature course? Were they ‘saving time’? Nobody was particularly unfriendly, but the huge age difference was obviously something they were not completely able to surmount. Both he, and they, felt it. It also begged a question which seemed to dance repeatedly and infuriatingly in the back of his mind. Whose way is the right way?

They were younger, less ‘formed’ by life, perhaps of a greater mental acuity. Yet, it seemed to him that underlying it all was the knowledge that they were relevant no more. In itself, they could not (or could only rarely) apply the fruits of their labour to the world without translation. No, they would have to be translated into the language of the modern ‘job market’, of ‘transferable skills’ and of ‘selling oneself.’

What of himself, who had traversed all that and taken the inverse route? Perhaps he would be less able to immediately grasp the abstract notions and subtle inter-cultural references. Yet he had had time. It seemed to him that they were as berries, crushed fast and solid against the bottom of a bowl to make one of those smoothies that everybody drank nowadays. Innocent smoothies, weren’t they called? The name made him smile. There was nothing innocent about a lot of these young ‘uns. Even in their dress, they were always looking to make statements, to sell or express themselves... ‘Palestinian’ scarves bought from giant global companies and worn with tight T-shirts that were ‘sweatshop free’.

Yet the question bothered him insistently: were they really saving time? Or had he beaten them at that game? Who was right? He checked his watch and sighed: half an hour lost in simple, mind-twisting reflection. Should he be feeling bad for having let himself go so? He shrugged and peered through the hole in his plastic bag. He would go on with his degree and then maybe find a woman who he could ‘talk books’ with. This made him laugh for a full three minutes. His printing business was there, would always be there. And yet the more insidious question persisted in pecking angrily as if at the very softness of his cerebral membrane. Why was he here? Why were any of them here? What was the point of this ‘higher education’, really?

The wind suddenly mussed his hair, cold cool fingers provoking him to stiffen and yank up his jacket collar. He turned, defiant, looking towards the canal and the road. Something in him felt that he was victorious. Bouncing his shoulders against the sudden frigidity, he set off brisk, up the path to Basle House.

The Smallest Torrent of Bitterness...

I would like to think that I am not altogether unaware of the ways of the world. Having lived abroad, travelled somewhat (not extensively, but I have been to at least four other countries!) and had a not inconsiderable share of eye-opening experiences (both positive and negative), I must admit something now.

I have said this repeatedly - but I feel at an absolute loss at the moment. It is half-past one in the morning, and my Advanced Oral Competence class looms over me in the morning. I read through the homework sheet, feeling as always, a heavy sheet of dread settle and line the bottom of my stomach. Transcribe a clip on 'youth speak', it crowed. Go on the France 5 website and find news topics which:

a) interest you
b) are of a suitably elevated linguistic register
c) could be discussed in a parliamentary debate in Strasbourg...

Then: Looking to use an interesting context, write complete sentences using the 16 action words we used today and which were attached to the last homework. And finally, Edit your oral presentation which you had to give today in class.

I forgot to mention that we were supposed to look up every word of the aforementioned list of 'action words' and translate them, for last week. There were oh, I don't know, over 100 of them? This too while having to transcribe 3 clips on the writer Georges Simenon (which I think took me about an hour and a half at least) and writing this stupid oral presentation in order to sell ourselves to an employer using our Year Abroad experience, while using as many of the action words as we possibly could.

This is a course which is supposed to develop our oral competence in French. Why don't we do something useful and interesting, such as have regular debates on political issues? Why the FUCK am I being forced to transcribe a list of fucking ACTION WORDS which I will never use in real life and most of which are synonyms of each other, while having to read Women In Love by D.H. Lawrence, his essay on Democracy, plan a commentary on an article about 'Happiness in medication?' and write a 'dissertation' on whether or not justice exists?

I am a hard worker. The term constantly applied to me in secondary school was 'conscientious.' I know I can be plenty flaky, I am changeable and moody and sometimes I will set things in motion and then struggle to maintain them, but by God. Last year abroad has made it difficult for me. Ending a five-and-a-half-year relationship with a man I thought I was going to marry has made it hard for me. Having the torrent of imminent graduation and entry into the professional world has made it hard for me. The death of my cousin and the drama of starting a new relationship HAVE - MADE - IT - HARD - FOR ME.

I am trying. I am striving. Constant lack of sleep through trying to get it done only slows me down. Brief naps revive me for a short while, and then soon I am drooping again. I will throw my hands up and confess that I end up wasting time because:

- often, very little goes into my head when I am so tired, and
- in the haze of utter isolation that develops when I have been stuck in my room for so long, the allure of MSN, Facebook and Google Chat is oh-so-inevitable. I am hungry and desperate for human contact, being as I am without any TV or radio (and without the time to watch/listen), no books of my own and all my friends in the same position as me, working non-stop or glumly job-seeking, I will talk to anyone.


Of course, such a cocktail is only going to inculculate anger and frustration. The sheer, fucking futility of it all hurts me. The reason we are doing all this stuff for AOC is to better prepare us for the world of work, while in French III, the seminar leaders obsess over our translating huge bits of text with utterly obsolete language and teaching us to write an essay French-style. Apparently, our two-hour sessions are meant to prepare us for the exam. Real nice interactivity between courses you got going there, especially considering the prof in the former is also one of the main seminar leaders in the latter! Again: the sheer, fucking futility.

If they want to help us get on in the world of work, why don't they give us more business and economics-oriented translations? How about teaching us some idioms, so that we can become more suitably 'native' in the language? A structured revision of grammar would be nice too, instead of this vague laxity that occurs with correcting translations in class. For fuck's sake, a translation is subjective at the end of the day. It's a set of choices. With literary translations especially, there's going to be myriad interpretations that fit. I'm not too sure how that is meant to help us - when we're 'out in the real world', we'll more often than not be forced to translate on the spot, and that involves going for what's simplest. What use will knowing how to say 'She hosed it up and down with her eyes' be then?! And why are we being driven to insane amounts of stress 'preparing for the exam' when:

a) the exam will be stressful enough
b) normal standards will be considerably relaxed, thus making it much easier for us to do well, and effectively making all this bollocks pointless?

Also, I think we know how to write essays by now, bitches!


French is not useless at all, but the near-desperate way that things like 'action words' and that stupid YA presentation (there was a meeting before that too!) are being shoehorned in feels like a tacit admission from the SLLF: 'Yes, what we are teaching you is bollocks. Here's some box-ticking, quota-filling claptrap so that you too can go and work for a call-centre... in French, of course.' The fact remains that unless you have a directly saleable skill that happens to be always in demand - like being an accountant or doctor - you're going to struggle somewhat, especially at a belt-tightening time like this. In all these initiatives, I see very little point; ultimately the things most desired of us - leadership, commercial awareness and risk-taking - can only really be demonstrably gained outside of your degree. I mean sure, if you're one of those super-people who is head of everything, or you have a management role at work or something, you can show evidence of that sooner than others. However, I don't think everyone is that precocious (I sure as hell hope not...!).

Meanwhile, in English, my Modernism & Democracy course continues to introduce me to books full of Big Ideas, books so invariably long and provocative that they bring me to a mental breakdown almost every week. I am not stupid and I am not a particularly slow reader, but I have spent the last two weeks (or so it feels) reading Women In Love. It took 4 days of non-stop reading to finish Howards End before that, with the result that I was weak-brained and could barely remember where certain key passages were afterwards. I never even got round to finishing Nietzsche's On The Genealogy of Morals, and I'm probably going to end up writing on him, so that means yet more steaming shit piled upon me for Reading Week. Oh, joy.

Back to French. I do actually love the Proust module, being taught as it is by the most gently-eccentric, mildly sardonic Irishman there is in Professor Hughes, who often pauses - as if for effect - just a little too long, while the class watch him uneasily. (I don't know how old he is, but I bet he doesn't look it). Then, blue eyes shining with a downright childlike joy, he will articulate the remainder of his half-completed thought, bringing the sudden tension out of the class in a chuckle.

Proust himself isn't bad either, although if I had to read all the volumes of A la recherche du temps perdu, he would be added to the 'shake-n-slap' list, methinks. In my fatalist manner, I am always seeking connections between texts (that's what makes me such a good English student!) and my strangely powerful recollection of literary texts means I can often trace the unembroidered lines in the great tapestry that is Literature to me, seeing the intertextuality that isn't always overtly stated. Proust is the major influence on many early 20th-C writers... yep, that means most of 'em on my Modernism & Democracy course - and I realised today that much of what Lawrence is doing in Women In Love and later works is rebelling quite furiously against this influence. Sorry, I know not everyone else finds the previously-unseen links between formerly completely different ideas and authors interesting like I do. :-D

I love to think on things. It is ironic, since I have just complained about how my degree is apparently unsuitable for the 'world of work', but this year, it is readying us for the world of work in the bleakest possible way. It is teaching us how to slave, slave without having the time to actually stop and reflect properly on what exactly it is we are accomplishing. I asked the most diligent student I know, a fella by the name of Tom N-, how he was finding his workload. 'Mad,' he replied succinctly, his big brown eyes earnest and slightly innocent. 'I'm doing so much work, but I find I don't actually have the time to think about what I'm doing!'

'Do you feel like you're just churning things out?' I asked, feeling horribly like a 'detached observer' (especially since my work turned me into a hermit with faltering social skills).
'Yes,' he nodded definitively and graciously, like one conclusively approving a military inspection of his own conciseness. Satisfied, I turned away, staring awkwardly into space. Yet D.H. Lawrence's terrifying 'visionaryness' in Women In Love has rattled me. All the talk of selling oneself, of the 'job market', of deciding one's future now - even as we wrestle with our work, like crocodiles struggling with ostriches, unwieldy and ferocious - all of it has made me realise a few things.

I am not cut out for the 'job market'. I can work in a team of people, and I have the barest administrative skills. I am not a thief or particularly aggressive. Hell, I can be decisive and pragmatic, even! What I hate is the naked submission of it all. For every job I apply to, no matter how lowly the post, I will have to abase myself, simulating being a person who is sunny and personable and non-existent. I will focus tightly on saying the right thing, projecting the right image and essentially pretending to be of a kind with my brother. Inside, I will feel myself twisting with impotent rage and resentment. Why do I have to lick this person's arse repeatedly just to prove (not even that I am worthy, since that is often decided in advance), but that I am likable? How has it got to the stage that employers are more impressed by your use of buzzwords than by your plain, no-nonsense English?

Why must I break myself up over the most arbitrary of decisions that more often than not, will hang upon a tiny, unpredictable caprice? People can take whatever reason they fancy to reject you, and unless you ask specifically for feedback, you will never be certain why. Yet even that in itself irks me - why should you ask for feedback, as if you are somehow wrong as a human being? And why is ambition always taken as some sort of evidence of vitality, why is the ruthless desire for power something to emulate? Having direction is one thing. Having ambition is quite another. I think people can do as they wish, but why the hell do we all have to come up to their level, just because they scare us and they're pushy?

I know I have far too much pride and arrogance, to be challenging something so monolithic and long-established. I know too that not all situations are like this. It's more retail positions and part-time work that's like that - but please, can we get a grip on ourselves already? It appears that work has become so fundamental to our very existence - we are such 'self-alienated' figures now - that any kind of work is preferable to not working. So even doing something that leaves you numb with monotony, that kills any spiritual, philosophical or creative tendencies you have with its sheer, exhausting repetitiveness, is preferable to doing nothing.

Yet 'doing nothing' leaves you some time to actually live. This is what I want, and this is why I'm thinking of taking a year to do some rubbish job and allow myself to write and reflect a bit, instead of diving straight into the stream of Professional Ambition. I do not have any major professional ambition! I do not want to boss anyone else around, show off my achievements or accept the false god of labour-routine.

Lawrence brilliantly diagnoses our current present in Women In Love, in the chapter 'The Industrial Magnate'. He presents the character Gerald as a kind of uber-capitalist before we even had people like Tim Parker, people known for ruthlessly reforming companies and systems to cut costs and make themselves rich. The whole chapter is a frankly disturbing premonition of Thatcherism and the whole destructive 'greed-is-good' philosophy of the '80s that we are still suffering from, but all seen about 60 years in advance (I have linked to the specific chapter in Google Books for anyone who's even remotely interested...).

You can infer that Lawrence feels, in a way, that work is coming to occupy the role of religion. And I think this has become all too true. People always love religion for the organised little rituals that it provides them with, to frame their life and their time with a sense of 'higher purpose' and rightness. Now, though, if you don't automatically love the (very similar) structure that comes with having a full-time job (or jobs!), you're wrong. And the punishment has shifted from going to hell to dying of hunger. Really, though, we work really long hours and at the end of it, what is the point? We tell ourselves it is just to survive, just to get by, but there must be a cheaper way to survive without being in that position.

Working all the time is deadening. You take yourself and everything around you for granted. Thus families and marriages disintegrate, and we get talk of 'broken societies' and the like. I think that a certain amount of work is good, no doubt. Yet, I do not understand why there is so much pressure on me to get into work straight away after I graduate, to start going to fairs now, to apply for work experience placements a year in advance... No! I don't need that. I admit, that as a fairly middle-class child, it is easier for me than it is for others - and what? I am going to take the time out to work out what exactly my strengths are, to reconcile myself with my 'poor' future (c'mon, you knew it as well as I did - somebody like me's never going to be commanding a lot!) and trying to balance want and need. All I need is the time and freedom to be able to think and write.

It must be said though, that much to my horror, I am afraid I may end up being a lecturer in English (although French is an option I am forced to consider also). I don't know what it is that has made me reconsider this. Maybe it's the fact that I am such a painfully academic personality, patently made for the ivory tower. Maybe it's the growing realisation that I'm actually far more in tune with my lecturers than my fellow students (and have been even since my first year...). I don't know. If any of ye faithful remains among my readers - if you have made it this far - can you tell me what you think, please? You probably just think I am a child who doesn't want to enter the adult world, and you wouldn't be wrong there.

It doesn't help that I find myself shaking off the old, dusty moth-eaten blanket of love that surrounds my ex in my memory, while being almost fatally drawn to the adult who is currently deigning to 'take me out' :-D. The development of feelings between myself and him was quite steadily surreal as it was, without the ex-messiness turning my life into a Truffaut film. My sweetheart is like a vision sprung from the pages of a romance novel, but with a very healthy sense of humour and a kindness that frequently almost either moves me to tears, or makes me fulminate and gape like some chicken/goldfish hybrid. He keeps threatening to move into my head permanently (I see him twice a week), and I constantly find myself spread-eagled, frightened, within the drawer that reads 'Head over heels'. What should I do? See him less? See him more? How can I resolve this feeling that doesn't want to be resolved, so that I may train myself more freely on work?

A little note to anyone I haven't yet replied to, i.e. Fabien and Andy: I am v. sorry but as you can see, I have been losing my mind. So please, bear with me. As of about 2 a.m., your dear authoress decided to strike a blow for truancy and is, rather unwillingly, it must be said, skipping Advanced Oral Competence tomorrow in the hopes of getting ahead with work and getting a full night's sleep.Wish me luck...

Neither new nor particularly revolutionary

I’M BACK, MY PRETTIES, I’M BACK! I am probably getting if anything less sleep at the moment than previously, but the shadow of healthful fitness lingers over the horizon (trans.: I joined the gym) and I’m starting to get a handle on my work a little. Plus, I think it’s about time I came to terms with Facts and accepted that even if I got some sort of work in the Real World, I’m just not capable of keeping it up without trying to off myself. I need stimulation, and I need to be able to write. So... I shall have to face down my parents and tell them that the prospect of doing a Master’s seems more than likely. Hopefully, my soon-to-be-happening interview with the Careers Office will fill me with shining career guidance goodness (if they don’t get back to me tomorrow morn, I’ll just drop in myself).

While fighting nodding-off in the course of French III Séance Courte, my teacher said something about Chateaubriand and communication. We were attempting to create a ‘plan of development’ for certain ideas that our homework presented us with. What ol’ Chatty actually said was: « Est-il bon que les communications entre les hommes soient devenues aussi faciles ? Les nations ne conserveraient-elles pas mieux leur caractère en s’ignorant les unes les autres, en gardant une fidélité religieuse aux habitudes et aux traditions de leurs pères ? » (Chateaubriand, Préface au Voyage en Amérique(1827)).

To translate: ‘Is it a good thing that communication between men has become so easy? Would nations not better conserve their particular characters, in ignoring each other, in maintaining a religious faithfulness to the habits and traditions of their fathers?’(Yes, yes, I know, it still sounds a bit fancy, but whaddaya expect? It’s 19th-century French political theory!).

Laetitia, our lovely seminar leader, opened up a whole new possibility of thought in revealing to us that ‘religion’ comes from the Latin religare, which is (to translate from the French, relier, faire le lien), to ‘make a link.’ Hence, Chateaubriand’s comment suddenly seems to become paradoxical, she said. How can you say that communications should be reduced, while promoting a ‘religious’ attitude? A cheeky Christian called Skye sitting opposite refuted that in well-murmured tones that my afternoon-fuddled mind failed to grasp completely. Something about religion and culture and them not necessarily being linked always, I believe. This (eventually) made Laetitia quite pleased and she wrote: ‘The paradox is only superficial. No exclusivity: communication is not necessarily the conservation of an ‘own identity.’ Ex. The richness of multiculturalism.’

Bingo! It hit me – like a Biblical thunderbolt – that we are all, inherently, multicultural. I am playing here with semantic suppleness, and I’m sure somebody will tell me that I am wrong according to the current, politicised understanding of ‘multiculturalism.’ People simplify these things, but look at the history of the world, HELLO! It’s much like people who talk about ‘racial purity.’ My BS-detector begins to keen urgently.The history of the world is one littered with rapes, invasions, immigration, emigration and travel. You CANNOT – many people have tried and failed – pin down the exact ‘point of origin’ of everyone out there. Anglo-Saxon people come from two different peoples! In India, there is the theory (not scientifically substantiated – check this out for a pretty interesting debunk) of the modern population being largely descended from the Aryans and the Dravidians – but the lovely man that I am seeing, WHO IS A HISTORIAN (ergo, he deals in facts unlike my brother-in-law, who once tried to interpret LoTR as being exclusively about India and Indians) – told me that apparently these two tribes were nomadic. What’s that, you cry? Nomadic? As in, ‘they moved about a lot’? As in, that means it’s pretty bloody hard to assert, with scientific evidence, exactly where the originated from?

Hopefully you get the gist of what I’m saying by now. It’s ironic really, since as any fule kno (that's for you, Rumbold :-D), ‘multiculturalism: the failure of’ is more often than not a hypocritical hijacking of reality by (usually white... but not always) right-wingers who want to use it to comfort themselves over the fact that they have difficulty understanding people who don’t think or look like them.

(I know this is supremely graceless and untimely, as are most of my political reflections, but... eh. I dance to my own beat :-D). Let’s make this relevant to ‘right now’ by saying: it’s little victories like this - over things as apparently small but utterly fundamental to effective communication that spans difference – conceded to loons, that don’t help the cause of the left any. I could REALLY time-lock this now, by talking about 42 days, which appears to be dying at last (hopefully), and which the supposedly left-wing Prime Minister pretty much forced through in attempting a show of power. Ironic really, since it was little more than pandering to our daily papers, if you ask me, and who are the imagined readership of most of those?

...Yes, that’s right, you’ve got it. LOONS. The Daily Mail – LOONS. The Sun – LOONS. The Mirror and the Express – LOONS (need I go any further?). People have a right to read these papers, and sometimes they may even be reasonable – as they say, ‘even a stopped clock is right twice a day.’ However, in the main, their truth-embroidered narratives – spun of fiction! – are not much more than self-serving bile. But hey. People are stupid and most people probably don’t tend to deconstruct in quite the same fashion as yours truly (the image that comes to mind is of a particularly enraged bulldozer). As a lover of language, I make my own esoteric contributions to the political stage, and hope that it entertains if nowt else!

The subliminal message here is: interracial couples should make you jump for joy, because they are totally hot. And most utterly hot people are... that’s right, of interracial ‘stock’? (Why does that make me think of a giant Oxo cube with Jessica Alba’s face on one side and Angelina Jolie’s on the other? Freak). I should know, because I am*ahem* seeing somebody of ANOTHER RACE, gasp, splutter etc.

In other news, I really want to make friends with some of the the people who repeatedly bob up in my French classes – who I have never seen before, sheltered as I was for two years in the top group and then shipped off to France comme un colis rempli de madeleines (a packet full of madeleines – blame Proust for giving me French cake-based desires). This is hampered by the fact that:

a) I am often too stressed/hungry/lazy/knackered to bother speaking (delete and equate as appropriate). When I am tired, I also have the most unfortunate tendency to lose control of my face, which doesn’t help the cause of socialising. When you are trying to make eye contact with somebody as they gibber gently into the distance like a nursing-home grandma, then suddenly blurt out a stream of throaty French as if they have been saving it for just this very instant... well. Fear would not be inappropriate, would it now? At this particular moment, I have developed ANOTHER fucking coldsore as well, so les pauvres get to be treated to my throbbing, red, second and third heads too (it’s more of a ‘they’ than an ‘it’, I’m afraid to say...)

b) They are all really weird looking.

This is INCREDIBLY rich coming from me – especially after what I just revealed. Maybe it is the return of my incredibly cruel and childish creative mind – but Jeez. Let’s start with one called Emily. She is tall and thin and just really reminds me of a horse in a way. She has large eyes (nice eyes – blue), the sort of mouth that probably once required braces and (I realised today) a frighteningly small chin, which kind of melts into the rest of her bony visage as if receding. Maybe it is a little? She wears a leather jacket which kind of matches her hair and makes me think ‘chestnut mare’...

Then there is Maya. She is an Asian girl (as the name suggests), with a warm kind of slightly reddish complexion – think Parminder Nagra in terms of colour and the sort of sleek, short hair she has too – but facially, she has huge eyes and a little mouth which always bears the hint of a pout, but only very slightly. No, I know what you’re thinking and this is no lemon-sucking pout – this is that slight twist of the mouth that says ‘I’m not altogether confident about this. What’s goin’ on ‘ere, like?’ Though she doesn’t sound anything like that.

Next comes Salma. Salma strikes me as... large. Not fat (not at all!), just taller and with bigger proportions than me. Her face is one you would describe as ‘sensual’ – I suppose... heavy-lidded eyes (which give the impression of a scowl, paired with the mouth), a full mouth with the slightest hint of disapproval, slightly slanted eyes... everything in its place. Glossy hair, fringe, shoulder-length, usually half-pulled back (front strands pinned at the back of the head, or a little ponytail on the side). She seems to turn that pout at me a lot, which really unnerves me (am I being judged?!).

Finally, we have Skye and Vanitha. Skye – the cheeky Christian – is less expressive than the others. She looks like a total tomboy – I couldn’t stop myself from writing down the logo on the breast of her sweatshirt, which read ‘British Car Auctions’ and beneath ‘Maureen Connolly Trophy, Bournemouth 1999.’ She is often as semi-conscious as me, and always has the hint of a grin and a surprisingly good French accent and expressiveness whenever called upon. I believe the term is ‘firecracker’? Vanitha is apparently French and has lived in London for 6 years. She is, however, of Indian extraction (the name!). She dresses a lot like Emily and Salma – that is in faux-leather jackets with jeans and boots or similar. Hardly fascinating. She has a low, unsure murmur of a voice and she trains what feels like the full force of her eyeballs on me surreptitiously quite a lot. She seems to wear a lot of eye-make up and her hair (which is ear-length) tends to kind of go a bit poker-ish and pointy at the ends which give her a slightly mad air. Add this to her audible nerves or fatigue (I think it’s got to be one or both of those,) and you have an interesting picture.

Funnily enough, there is a common link between all these people (excepting Maya and Skye)... they are the ab initios! They took French ‘from scratch’! Does this mean that someday, I will seem like some sort of subterranean weirdo if I decide to make the leap into learning Spanish, or somesuch? I know it sounds like I think they’re ‘out to get me,’ but just you come to our Séance Courte and see Emily staring, slack-jawed off into the distance, apparently at you; or Salma’s hollow-eyed accusatory stare, Maya’s ‘nervous mouse’ face... You’ll understand.